Wednesday 22 September 2021

 BOOK REVIEW: The Thursday Murder Club by Richard Osman:  

They’re a funny lot, the Thursday Murder Club.  Ostensibly discussing Japanese Opera in a Kentish Retirement Village but actually: discussing unsolved murders.  When the owner of Cooper’s Chase dies, they have a fresh one to uncover.  As they work with/intensely annoy the local police liaison officer, it’s not just the present, but the past that is uncovered.  

You’ll have notice the slightly arch, mocking tone of the setup.  Richard Osman:  factual destroyer of people’s dreams on Pointless, comes through on every page.  Jokes about Waitrose deliveries and whether or not it’s possible to kill someone with a John Lewis knife are lightly placed in front of the reader’s eyes, not slammed across the page.  See also the characters, a cross section of British society:  Elizabeth (ex-Spy), Joyce (Nurse), Ibrahim (Psychiatrist) and Ron (trade union leader).  

If the book has a fault, it bears the scars of some heavy-handed re-writing.  The murder leads to another, then another, then a secret being uncovered.  The plot does not thicken, it becomes slippery.   There is also a grinding shift in tone in the book’s second half, with meditations on growing old, Alzheimer's and assisted suicide.  

But it succeeds through sheer exuberance and charm.  It’s a genuine pleasure to see a book that is both witty and engaging, be such a massive success.  A hit in sixteen countries with the film rights sold, it’s an enjoyable read.    Like most books I love I’m now emotionally invested in the casting, so I’d say: Helen Mirren for Elizabeth, Julie Walters for Joyce, Omid Djalli for Ibrahim and Ray Winstone for Ron.  

A second book, The Man Who Died Twice is released this month; with Elizabeth, possibly the most shadowy, elusive character as the focus.  As a debut, Thursday Murder Club is slightly flawed.  But; it’s a book that succeeds with charm, wit and an evident, growing skill for the author.  

Kev McCready


 SHORT STORY: Doughnuts:

The doughnuts had failed to de-escalate the situation.  Most people trace it all back to the doughnuts.  There is now a folk memory of how they must have glistened under the strip lights, slowly becoming inedible.   

Ted stared at them.  His team of the small, provincial call-centre that had just been made redundant by the large, multinational corporation it was part of.  He’d bought the doughnuts to literally sugar the message of impending unemployment.  His team stared back, with still, cold fury.  

Later on, he was staring back at the cold embrace of a German lager.  He was watching the bubbles settle when Cheesy Carl walked in.  Tall, otter-like.  Always up to something dodgy, always associating with someone dodgy.  

“I’ll have one, if you’re offerin’” he said as he approached the bar and settled in.  

Over a pint, or three he told the tale of the day’s woe.  Vaguely talked about the pale, soap bubbles of his pleasure.  The stretching shadows of his plans, already being laughed about by several deities.  He also told him of his hatred of the people he worked with, his general blind fury at society and how it would be better if everyone just did as they were told.  

This was a powerful German lager.  It almost had voodoo qualities.  There are now historians who contend that the lager was responsible, not the doughnuts.  In that sense, it was what Germans call a Schnappsidee.

“I know some fellas” said Cheesy Carl “Who think the same as you”. Cheesy Carl pecked at a bowl of chips with mayonnaise.  Ted always thought that was disgusting.

Within a week, he was in an anonymous, suburban house. He was surrounded by the kind of people who put three flags on their Twitter Avi.  Who support football teams with a high percentage of white players.  Who refused to wear a mask during the last pandemic.  Who ban products that use gay couples or black people in their adverts.  

Yes, those kinds of people.  

Ted was swept away in their patriotic fervour, their righteous fury.  He felt at home and smiled as a shadowy man with a laptop gave them funds.  Which gave them agency.  What they really lacked, thought Ted was a name.  He said as much.  A decent, quirky name.  The group already called themselves The White Wolves.  

“What about The Doughnut Party?” he said.  They laughed.  “What goes around comes around”.  

There was a long and powerful silence, as they considered it and then accepted it as a really good idea.  Then a slow, lingering space where Ted was voted as leader.    

Within months, Ted became the kind of person who put normal people off their breakfast, appearing on TV news shows and politics programmes that put people off their lunch.  He became a fixture on newspaper reviews and radio phone-ins. His base (if you could call it that) was builders, readers of tabloid newspapers and people, gradually growing dissatisfied with the current government. 

Because as their children starved and their houses flooded, they got fed up with the current bloke.  As they looked at the bare, plastic desert of supermarket shelves, they experienced a slow-burning, righteous anger.  

Of course, from the outside, one could see that they were entirely and utterly responsible for this parlous state of affairs.  It was almost akin to sitting in the smoking remains of one’s house and crying to the empty, godless sky: “Why didn’t no-one tell me about the local pyromaniac?”

But no.  The anger of those who consider themselves to be dispossessed is like a narrow river.  It can be made to flow wherever powerful people want it to go.  A stream can become an ocean with the right conditions.  

And so, it came to pass that Laptop Man arranged a meeting.  He told him, over a mineral water for him and a German Lager for Ted that there was going to be an election.  “Obviously” he said “We don’t have the funds to fight a full election.”

“Evidentially” said Ted.  Evidentially was a word he would not have known, let alone used six months ago.  

“But” he said “If we target the right seats, we can go into coalition.  We’ll cut a deal – he resigns, you can be PM.  You appoint your own cabinet.”

Laptop Man swung the expensive gadget round, and took him through a long and tedious PowerPoint presentation (has there ever been a short and interesting one?) of graphs, pie charts and spreadsheets.  Of pictures of the type of idiot whose appearance on TV made most people want to kick their screen in.  Who would be The Doughnut Party’s MP’s.  

At this point, one of Ted’s migraines kicked in.  The cause of which was the biggest change of his life.  Or possibly: dickheads who use yellow text on a black background on PowerPoint presentations.  

The Doughnut Party won enough seats to hold the balance of power.  The morning after the election, he held a breakfast meeting.  The PM nervously sipped coffee and pastries; whilst Ted enjoyed his mug of builder's tea and a bacon butty.  

“It’s over my friend” he said, as he placed his feet on the desk.  “The people have but spoken.”

“But surely –I contend, that I could assist, possibly guide your good self and the er, the er, the er, The Great Ship Of State, through the parlous waters of, er-”

“Write another book.  Someone might read this one.  Spend more time with one of your families.  Enjoy those lovely trips abroad, with Russian prostitutes and Colombia’s finest.”

A mug hit the table.  “How dare you, I should bally well-”

“Get. The. Fuck. Out. Of. My. Office.”

Later that morning, he held a press conference outside Downing Street.  “The people are in charge now” he said “Not the puppets.  I’m not a politician.  I am the man in the street.  I serve them, not my own interests.”

It is true that Ted was The Man In The Street, but only in the sense of how Sid Vicious saw it. 

Of course, all this was a red rag to a bull to some people.  There were marches and pogroms and small, horrifying acts of violence.  People stepped gingerly over homeless people and starving children.  The people were in charge, so that was OK.  

Wasn’t it?

On Ted’s first day in office, he was asked to write his Letters Of Last Resort.  These are the PM’s instructions on the launch of Trident missiles.  They have to be handwritten and a copy is placed in the safe of every Trident submarine.

Under the avian eyes of a senior civil servant, Ted wrote the words “What Goes Around Comes Around” on three sheets of headed notepaper.  

“You can’t do that!” said The Civil Servant.

“Mate, I just did.” said Ted.

Fast forward six months, the bridge of HMS Thatcher.  There has been no contact from the Royal Navy for four hours.  They can’t get Radio 4.  The Captain opens the safe, reads the LOLR and sees the words “What goes around comes around”.  

Keys are turned and buttons are pressed.  Something phallic and incredibly destructive leaves the submarine, quietly hoping to liven up a dull Tuesday by incinerating some Russian children.

“May god help us all” he says.  

Unfortunately, it’s too late for that.  Humanity failed to exist about an hour ago.  Ted stormed out of a meeting with the Belgian Ambassador five hours ago.  Who insisted on ordering chips with mayonnaise. Within an hour, Ted has ordered a nuclear strike on Brussels.  By the second hour, everyone else have joined in, not wanting to miss out on this display of macho bullshit.  By the third hour, most of the world is smoke and ashes.

It is thousands of years in the future.  Humanity is recovering, somehow.  Displaying a resilience that is somehow admirable, but is also hopeless at the same time. A haggard, ursine figure stands in a cave, lit by torchlight.  His followers chant his name, as he repeatedly draws a shape on the wall, a circle with a circle at the centre.  

He grunts loudly six times, droops his knees slightly and raises his hands in the air. He points at the symbol.  He repeats the series of six grunts.

“Wug goz arun, comeroun! Wug goz arun, comeroun!”   

He looks at his followers, questioningly.  And as he is beaten to death with rocks, we learn again: the doughnuts had failed to de-escalate the situation. 

Friday 10 September 2021

 Here I am on BBC Radio Devon, discussing working from home and being out of your comfort zone.  First hour... https://www.bbc.co.uk/sounds/play/p09sfygl

Thursday 9 September 2021

 Green French Dress

And so we emerged, blinking into the Spring daylight.  Slightly fatter, having caught up with everything that was on our watchlists.  Outside our collective front door, there was death and people sunbathing in it’s shadows.  When I went back to work, there was a three month back log.  Thursday was spent sorting through a mountain of emails.  Friday was spent phoning customers back. 

I held off making a call as I tried to get a ticket for my favourite singer, Guy Rassignol.  Straight on at 10am.  Name and address autofilled.  Credit card (balance paid off, during isolation) entered.  I’m about to press confirm, when Shaun, my boss asks me to ring a customer back.  

By the time I’ve apologised for twenty minutes and logged back on, it’s sold out. On my break, I’m texting Cheesy Carl.  Within five minutes, I’ve got a ticket that is slightly more expensive.

And so, on a winter’s Saturday night I’m inappropriately dressed in a Green Dress French Dress and ballet pumps.  As you’ll know, Green French is Guy’s most famous song.  Real fans (like me) are called to the front of the stage when he sings it.  As far as I can tell, I’m not the only one dressed for the gig.  

I hand the ticket to the Scouse bouncer. ‘It’s jarg dat, love.’

‘What do you mean?’ I say, literally.

‘It’s fake, yer not coming in.  Out the way, let de others get in’.

And so, I headed down a cold back street. I lean against an iron door and I cried.  Not the tears of sorrow and fear that some people have cried this year, but the hot, useless tears of frustration that don’t solve anything.  I’ll have words with Cheesy Carl when I see him.  

I’m contemplating booting the door. Rational thought kicks in, advising me that doing so in ballet pumps isn’t a good idea. 

I’m aiming a kick when the door opens.  And Guy Rossignol steps out.  Tall, lean, tanned.  Gray hair slicked back, sunglasses on.  A white suit.  A recent profile described him as ‘an aging French full-back, who played for a mid-table Premier League club’.

He removes the sunglasses.  ‘Pretty Laydee’ He says.  ‘Whay do you cray?’

I look up at a pair of blue eyes, I have swum in at least once.  ‘Someone sold me a fake ticket’. 

He produces a laminated triple AAA from his inside pocket.  ‘Take zeez.  Enjoy mah performance’ He winks at me ‘Mah ah see yuh after the show?’

I nod.  The door shuts and I go back round to the entrance.  The bouncer peers at the triple AAA.  A quick bag search and I’m in.  I head to the left hand side of the stage.  This has always been my spot.  

The gig is fantastic.  Not that I’m fangirling, you understand.  But he played all his best-known songs.  Not that you could call them hits.  Two hours pass and he says: ‘It ees tame for me to go.  But before we say bon soir…’ He raises a finger in the air.  ‘And it is always bon soir…’

‘NEVER ADIEU!’ we all cry.

‘Ah would like to invaht the ladeez in the Green French Dresses to the front of the stage…’

My head is spinning as I’m ushered backstage.  I’m seated opposite Guy, sharing a bottle of red wine.  His bow tie is untied and my mind is just as loose.  I’m wondering what the night might hold.  He reaches out and touches my hand, gently.  It’s on.  Whatever, eet; sorry ‘it’ is.  

Just then, a bloke wearing the t-shirt of a minor death metal band bursts in.  ‘Ee-ah Guy, your usual Split’ he says.  ‘Fish, chips and mushy peas.  No joy on your acky.  City let you down’.  

At this point.  He looks at me and I look at him.  He says a word that is not French, but is definitely Mancunian.  As I point the door, The Metalhead says ‘Did I disturb summaht?’

Within moments of getting home, the Green French Dress is binbagged.  Guy’s five albums are deleted from my phone.  The next morning, I’m tracing the pattern for a new one that matches my skin tone.  

All those days, we spent.  Terrified to leave the house.  Picking a song to wash our hands to.  And the first thing I have looked forward to; was a lie.  A man, pretending to be the answer to my prayers was an absolute fraud.  Surely we have all learnt that life is too precious to believe one person has all the answers?

Speaking of which, Cheesy Carl is not answering my calls. He’s always asking me for a date.  Wait till he sees me in my new dress…  


 Here’s me on BBC Radio 2 Bookclub, reviewing ‘The Origins Of Iris’ by Beth Lewis.  Full review tomorrow, I am on at 2hrs, 25mins:  https://www.bbc.co.uk/sounds/play/m000zf89

 Book Review:  The Origins Of Iris by Beth Lewis: 

I made an appearance on the Radio 2 Bookclub (available on BBC Sounds, 08/09/21) I did this with some trepidation.  I mean, we all love the concept of a free book and appearing with Steve Wright.  But you know, the former generally disappoints.  

And so, I was pleasantly surprised by this book. It uses the conventions of a horror novel to explore philosophical concepts.  I know that sounds heavy, but it is a genuinely pacy read. 

Iris lives in New York and has basically given up on her dreams.  Her relationship with her wife Claude is abusive.  Iris packs a rucksack and heads for a cabin upstate.  There she meets a woman called Iris who resembles her (but with better hair!); but has taken the opposite of her every decision.  Whilst that is weird enough, the spirit of Claude is there too. And with a storm approaching, bigger problems are about to hit them.   

Ok, so “The Cabin In The Woods” is one thing, but a storm is just a metaphor for sex and death.  The book’s blurb makes that apparent, as well as referencing the film Sliding Doors; which I think sells the book short of what is genuinely is. 

The book’s big twist – who is this other Iris? - is discussed, but never disclosed.  We know the significance of the cabin, but is it an alternate universe? A psychodrama?  A dream? That’s a brave narrative leap.   

And let’s ignore the problem of an unreliable narrator.  Iris isn’t a completely loveable character.  She left her previous girlfriend Bella for Claude.  This other Iris is married to Bella, but her universe isn’t exactly perfect either.  Plus, in there is a shocking scene between Iris and Claude. If anything, it speaks a lot about toxic relationships and the end result of two people irreparably damaged by events.   

It would be too much to reveal that final third, which resolves all the narrative threads and ends with the reader catching your breath, then exhaling deeply.   

Packaged like a thriller, perfect for discussion on afternoon radio, this book gets you thinking in parentheses and manages to entertain at the same time.  

  The Great When by Alan Moore:  I am both familiar with and a huge fan of Alan Moore’s graphic novels; most notably The League Of Extraordi...